{"id":10359,"date":"2024-07-09T13:27:30","date_gmt":"2024-07-09T13:27:30","guid":{"rendered":"https:\/\/hugolaroche.com\/?p=10359"},"modified":"2024-07-09T13:27:30","modified_gmt":"2024-07-09T13:27:30","slug":"degres-napolitain","status":"publish","type":"post","link":"https:\/\/hugolaroche.com\/fr\/degres-napolitain\/","title":{"rendered":"Degr\u00e9s Napolitain"},"content":{"rendered":"\n

Cours de musique en ligne : Analyse de la cadence napolitaine<\/strong><\/h2>\n\n\n\n

Dans nos cours de musique en ligne, nous approfondissons des concepts avanc\u00e9s tels que la cadence napolitaine, \u00e9galement connue sous le nom de \u00ab\u00a0cadence Scarlatti\u00a0\u00bb. Voici une analyse compl\u00e8te qui vous aidera \u00e0 comprendre cette ressource musicale importante.<\/p>\n\n\n\n

Concept de la cadence napolitaine<\/h2>\n\n\n\n

La cadence napolitaine est une cadence compos\u00e9e o\u00f9 la fonction de sous-dominante est repr\u00e9sent\u00e9e par l’accord de \u00ab\u00a0sixte napolitaine\u00a0\u00bb. Cet accord, utilis\u00e9 dans les tonalit\u00e9s mineures, est construit sur le second degr\u00e9 abaiss\u00e9 en premier renversement.<\/p>\n\n\n\n

\"Degres<\/figure>\n\n\n\n

Origine du nom<\/h2>\n\n\n\n

Le terme \u00ab\u00a0accord napolitain\u00a0\u00bb provient de l’\u00e9cole d’op\u00e9ra napolitaine du XVIIIe si\u00e8cle, avec des compositeurs tels qu’Alessandro Scarlatti, pr\u00e9curseur de l’op\u00e9ra moderne.<\/p>\n\n\n\n

Origine musicale de l’accord<\/h2>\n\n\n\n

Dans nos cours de musique en ligne, nous explorons diff\u00e9rentes th\u00e9ories sur l’origine musicale de l’accord napolitain :<\/p>\n\n\n\n

\u00c9viter la dissonance : trois m\u00e9thodes pour \u00e9viter la dissonance de l’accord NN en mode mineur :<\/p>\n\n\n\n

    \n
  • Utiliser l’accord en premier renversement.<\/li>\n\n\n\n
  • Appliquer la sixte dorienne.<\/li>\n\n\n\n
  • Modifier la fondamentale vers le bas, cr\u00e9ant ainsi l’accord napolitain.<\/li>\n<\/ul>\n\n\n\n

    Utilisation d’une appoggiature : selon cette th\u00e9orie, l’accord na\u00eet d’une appoggiature sup\u00e9rieure de l’accord de sous-dominante, bien qu’elle soit moins conventionnelle.<\/p>\n\n\n\n

    Emprunt au mode phrygien : les compositeurs du pass\u00e9 utilisaient le second degr\u00e9 phrygien au lieu du second degr\u00e9 habituel pour obtenir une sonorit\u00e9 plus sombre et plus dramatique, id\u00e9ale pour l’op\u00e9ra.<\/p>\n\n\n\n

    \"Degres<\/figure>\n\n\n\n
    \"Degres<\/figure>\n\n\n\n

    Obtention et arrangement de l’accord de sixte napolitaine<\/h2>\n\n\n\n

    Dans nos cours de musique en ligne, nous vous apprenons \u00e0 utiliser l’accord napolitain dans les modes majeur et mineur, g\u00e9n\u00e9ralement au premier renversement. Dans le mode mineur, la fondamentale de l’accord de second degr\u00e9 est abaiss\u00e9e d’un demi-ton. Dans le mode majeur, la fondamentale et la quinte de l’accord de second degr\u00e9 sont abaiss\u00e9es d’un demi-ton.<\/p>\n\n\n\n

    Chiffrement par intervalles et chiffrement fonctionnel<\/h2>\n\n\n\n

    Como se trata de un acorde de sexta se cifra con un 6, pero con la alteraci\u00f3n, o alteraciones correspondientes dependiendo de la tonalidad. As\u00ed, en La menor se cifrar\u00e1: b6 , en Do mayor su cifrado ser\u00e1: b6 y otro b debajo del 6.<\/p>\n\n\n\n

    R\u00e9alisation de la cadence napolitaine<\/h2>\n\n\n\n

    Dans nos cours de musique en ligne, vous apprendrez \u00e0 ex\u00e9cuter la cadence napolitaine en plusieurs \u00e9tapes :<\/p>\n\n\n\n

      \n
    1. Arriv\u00e9e des accords<\/strong> : \u00e9viter les sauts dissonants.<\/li>\n\n\n\n
    2. Arrangement et duplications<\/strong> : L’accord passe en premier renversement et la tierce est doubl\u00e9e.<\/li>\n\n\n\n
    3. R\u00e9solution<\/strong> : R\u00e9solution dans une cadence compos\u00e9e de la premi\u00e8re ou de la deuxi\u00e8me esp\u00e8ce, ou dans la dominante avec septi\u00e8me.<\/li>\n<\/ol>\n\n\n\n
      \"Degres<\/figure>\n\n\n\n

      L’accord de sixte napolitaine Dominante en mode mineur<\/h2>\n\n\n\n

      L’accord de sixte napolitaine peut \u00eatre pr\u00e9c\u00e9d\u00e9 par n’importe laquelle de ses dominantes. Par exemple, en la mineur, la dominante de B\u266d est le fa (sixi\u00e8me degr\u00e9).<\/p>\n\n\n\n

      \"Napolitain\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

      Cours de musique en ligne : Analyse de la cadence napolitaine Dans nos cours de musique en ligne, nous approfondissons des concepts avanc\u00e9s tels que la cadence napolitaine, \u00e9galement connue sous le nom de \u00ab\u00a0cadence Scarlatti\u00a0\u00bb. Voici une analyse compl\u00e8te qui vous aidera \u00e0 comprendre cette ressource musicale importante. Concept de la cadence napolitaine La […]<\/p>\n","protected":false},"author":2,"featured_media":9495,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[73],"tags":[],"class_list":["post-10359","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-harmonie"],"yoast_head":"\nDegr\u00e9s Napolitain - Hugo Laroche<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hugolaroche.com\/fr\/degres-napolitain\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Degr\u00e9s Napolitain - Hugo Laroche\" \/>\n<meta property=\"og:description\" content=\"Cours de musique en ligne : Analyse de la cadence napolitaine Dans nos cours de musique en ligne, nous approfondissons des concepts avanc\u00e9s tels que la cadence napolitaine, \u00e9galement connue sous le nom de \u00ab\u00a0cadence Scarlatti\u00a0\u00bb. 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